1. EDITORIAL
2. The Making of an American Kathak Dancer- Introduction
3. Childhood – Dance & Music
4. Swarthmore College- 1962 to 1966- Russian Language
5. Kathak Kendra- 1967 to 1969- Kathak, Tabla, Hindustani vocal
6. Chicago – 1969 to 1971
7. New York City – Dance Capital of the World
8. The 1980s - Return to India with Baby Lela
9. The 1980s and 1990s - Back Home in New York City
10. Arts - in - Education
11. Performing in the 21st Century - A selection
12. Recent Recognition
13. Afterword
14. HARIKATHA: Ādibhaṭla Nārāyaṇa Dās' Era in Indian Classical Music and Dance traditions- Introduction
15. Harikatha: An Ancient Tradition
16. The Art Form in Maharashtra
17. The Tradition of Harikatha in the Southern States
18. Harikatha, The Era of Ādibhaṭla Nārāyaṇa Dās
19. Harikatha: A Divine Art
20. References of Harikatha as Yakshagāna
21. ‘Harikathā Pitāmaha’ Ādibhaṭla Nārāyaṇa Dās
22. Harikathaka lakṣaṇamu
23. Harikatha Vaggēyakāra-s
24. Disciples of Nārāyaṇa Dās
25. Harikatha-s of Nārāyaṇa Dās
26. Purpose of Harikatha
27. Bibliography
28. The Making of an American Kathak Dancer
29. Title
The 1980s - Return to India with Baby Lela
When our daughter Lela was born on 28 August 1981, some of my family thought with relief that her birth would put an end to my travels to India. But it was the opposite. I pursued my Kathak studies, performing and teaching with renewed energy. The initial impetus came from an invitation to attend my sister Kitty (Rachna) Garga’s wedding in Jaipur in February 1982. My husband Gary, who had until then never visited India but believed wholeheartedly in my Kathak career, simply said, “Why not?”
Since Indians love children, and with five children of his own Maharaji is certainly no exception, we were greeted with tremendous love and appreciation for bringing our baby to India. Maharaji took Lela in his lap, then put her hands on his harmonium keyboard, saying that he was giving Lela her first music lesson.
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