1. ĀDIBHAṬLA NĀRĀYAṆA DĀS; THE VERSATILE GENIUS - K. SAVITHRI DEVI 2. Blessed were his parents, those who saw him, and his listeners - MALLADI SURIBABU 3. Śrīmadajjāḍa Ādibhaṭla Nārāyaṇadāsaḥ – A Legend in Sanskrit Literature- K. VARALAKSHMI 4. Dashavidha Raga Navati Kusuma Manjari – A Marvelous Composition- SHREEKANTHAM NAGENDRA SHASTRY 5. Talli Vinki- UPADHYAYULA NARAYANA DAS 6. Adibhatla Narayana Dasu Kritis and Nadaneerajanam Program- R. N. S. SAILESWARI 7. Janaki Sapatham – a marvelous Harikatha of Vivadi Raga Kritis- KOMANDURI VENKATAKRISHNA 8. The Master of Rhythm- K. SADGURUCHARAN 9. Compositions of Nārāyaṇa Dās in vivādi rāgas- B. V . DURGABHAVANI 10. RUBÂIYÂT OF OMAR KHAIYÂM- UPADHYAYULA NARAYANA DAS 11. BĀṬASĀRI- UPADHYAYULA NARAYANA DAS 12. A brief sketch of Śrī Yathārtha Rāmāyaṇamu- K. SAVITHRI DEVI 13. Amalgamation of Harikatha and Kuchipudi- An experiment- DEVULAPALLI UMA 14. Contribution of Adibhatla Narayana Dasu to Carnatic Music – A brief note- K. SOBHANA PRABHA DEVI 15. SRIMADAJJADA ADIBHATLA NARAYANA DASA KATHA GANA KALA PARISHAT- U. RAJA RAJESWARI DEVI
Talli Vinki- UPADHYAYULA NARAYANA DAS
UPADHYAYULA NARAYANA DAS ___ Upadhyayula Narayana Das is a researcher and blogger, and author of “TWISTING FACTS TO SUIT THEORIES AND OTHER SELECTIONS FROM VOXINDICA” (2017), a trenchant critique of the Indian media and historiography. He is the great grandson of Adibhatla Narayana Das. ___ The versatile genius of Ādibhaṭla Nārāyaṇa Dās (1864-1945) as an *aṣṭāvadhāni*, writer, poet, composer, linguist, dancer and actor is well known. He was the creator of the performing art *harikatha* which is a composite of five distinct arts—*purāṇik* storytelling; poetry and classical music, pre-written and composed extempore; dancing and acting. He wrote twenty-one *harikathas* (which he called *yakṣagānās*); seventeen in Telugu, three in Sanskrit and one in Telugu devoid of Sanskrit terms. The literary component of the *harikathas* is characterized by rich imagery and idiom. As the *yakṣagānās* were written to be performed on stage they were imbued with euphony in every line and a piquancy flavour in every
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