1. ĀDIBHAṬLA NĀRĀYAṆA DĀS; THE VERSATILE GENIUS - K. SAVITHRI DEVI 2. Blessed were his parents, those who saw him, and his listeners - MALLADI SURIBABU 3. Śrīmadajjāḍa Ādibhaṭla Nārāyaṇadāsaḥ – A Legend in Sanskrit Literature- K. VARALAKSHMI 4. Dashavidha Raga Navati Kusuma Manjari – A Marvelous Composition- SHREEKANTHAM NAGENDRA SHASTRY 5. Talli Vinki- UPADHYAYULA NARAYANA DAS 6. Adibhatla Narayana Dasu Kritis and Nadaneerajanam Program- R. N. S. SAILESWARI 7. Janaki Sapatham – a marvelous Harikatha of Vivadi Raga Kritis- KOMANDURI VENKATAKRISHNA 8. The Master of Rhythm- K. SADGURUCHARAN 9. Compositions of Nārāyaṇa Dās in vivādi rāgas- B. V . DURGABHAVANI 10. RUBÂIYÂT OF OMAR KHAIYÂM- UPADHYAYULA NARAYANA DAS 11. BĀṬASĀRI- UPADHYAYULA NARAYANA DAS 12. A brief sketch of Śrī Yathārtha Rāmāyaṇamu- K. SAVITHRI DEVI 13. Amalgamation of Harikatha and Kuchipudi- An experiment- DEVULAPALLI UMA 14. Contribution of Adibhatla Narayana Dasu to Carnatic Music – A brief note- K. SOBHANA PRABHA DEVI 15. SRIMADAJJADA ADIBHATLA NARAYANA DASA KATHA GANA KALA PARISHAT- U. RAJA RAJESWARI DEVI
RUBÂIYÂT OF OMAR KHAIYÂM- UPADHYAYULA NARAYANA DAS
UPADHYAYULA NARAYANA DAS ___ Upadhyayula Narayana Das is a researcher and blogger, and author of “TWISTING FACTS TO SUIT THEORIES AND OTHER SELECTIONS FROM VOXINDICA” (2017), a trenchant critique of the Indian media and historiography. He is the great grandson of Sri Adibhatla Narayana Das. ___ “IT IS NOT MY HABIT TO HAVE MY WORKS CORRECTED AND RECAST BY OTHERS!” — Ādibhaṭla Nārāyaṇa Dās The reason that attracted Nārāyaṇa Dās to Omar Khaiyâm could perhaps be a shared worldview towards life and religion. Both of them were Sun-worshippers and polymaths. In his English introduction to the Rubâiyât of Omar Khaiyâm, Nārāyaṇa Dās says “Omar Khaiyâm commences his verses with the word “Khurshīd”, which means the Sun; because I presume, he was a sun worshipper…” Omar Khaiyâm’s interests extended from poetry, music, philosophy and theology to mathematics, astronomy, geography, mineralogy and meteorology. Nārāyaṇa Dās’ interests extended from poetry, music and musicology, literature and linguistics, dance and acting, philosophy, theology
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