1. EDITORIAL 2. The Making of an American Kathak Dancer- Introduction 3. Childhood – Dance & Music 4. Swarthmore College- 1962 to 1966- Russian Language 5. Kathak Kendra- 1967 to 1969- Kathak, Tabla, Hindustani vocal 6. Chicago – 1969 to 1971 7. New York City – Dance Capital of the World 8. The 1980s - Return to India with Baby Lela 9. The 1980s and 1990s - Back Home in New York City 10. Arts - in - Education 11. Performing in the 21st Century - A selection 12. Recent Recognition 13. Afterword 14. HARIKATHA: Ādibhaṭla Nārāyaṇa Dās' Era in Indian Classical Music and Dance traditions- Introduction 15. Harikatha: An Ancient Tradition 16. The Art Form in Maharashtra 17. The Tradition of Harikatha in the Southern States 18. Harikatha, The Era of Ādibhaṭla Nārāyaṇa Dās 19. Harikatha: A Divine Art 20. References of Harikatha as Yakshagāna 21. ‘Harikathā Pitāmaha’ Ādibhaṭla Nārāyaṇa Dās 22. Harikathaka lakṣaṇamu 23. Harikatha Vaggēyakāra-s 24. Disciples of Nārāyaṇa Dās 25. Harikatha-s of Nārāyaṇa Dās 26. Purpose of Harikatha 27. Bibliography
*Nartanam* is proud to present its current issue, Vol. XXII, no.1, in the e-book format. We will complete uploading all the old issues (from 2001 till date) on the digital platform by 31 December 2022. Our readers are welcome to read the current issue free of cost till then; after which we shall issue yearly membership at a nominal cost to be able to read *Nartanam* online. We shall be ever grateful to Ashwini Rath, Deepankar Mohanty at Batoi Systems Private Ltd. and their team for undertaking the monumental task of digitalization of the journal. *Nartanam* shall now be preserved for posterity and can easily be accessed by all. There can be no better way to launch this e-book than having Janaki Patrik on the cover with her brilliant account of “Making of an American Kathak Dancer” in its pages. The saga of an American negotiating the multiple and complex challenges like those
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