1. EDITORIAL
2. The Making of an American Kathak Dancer- Introduction
3. Childhood – Dance & Music
4. Swarthmore College- 1962 to 1966- Russian Language
5. Kathak Kendra- 1967 to 1969- Kathak, Tabla, Hindustani vocal
6. Chicago – 1969 to 1971
7. New York City – Dance Capital of the World
8. The 1980s - Return to India with Baby Lela
9. The 1980s and 1990s - Back Home in New York City
10. Arts - in - Education
11. Performing in the 21st Century - A selection
12. Recent Recognition
13. Afterword
14. HARIKATHA: Ādibhaṭla Nārāyaṇa Dās' Era in Indian Classical Music and Dance traditions- Introduction
15. Harikatha: An Ancient Tradition
16. The Art Form in Maharashtra
17. The Tradition of Harikatha in the Southern States
18. Harikatha, The Era of Ādibhaṭla Nārāyaṇa Dās
19. Harikatha: A Divine Art
20. References of Harikatha as Yakshagāna
21. ‘Harikathā Pitāmaha’ Ādibhaṭla Nārāyaṇa Dās
22. Harikathaka lakṣaṇamu
23. Harikatha Vaggēyakāra-s
24. Disciples of Nārāyaṇa Dās
25. Harikatha-s of Nārāyaṇa Dās
26. Purpose of Harikatha
27. Bibliography
EDITORIAL
*Nartanam* is proud to present its current issue, Vol. XXII, no.1, in the e-book format. We will complete uploading all the old issues (from 2001 till date) on the digital platform by 31 December 2022.
Our readers are welcome to read the current issue free of cost till then; after which we shall issue yearly membership at a nominal cost to be able to read *Nartanam* online.
We shall be ever grateful to Ashwini Rath, Deepankar Mohanty at Batoi Systems Private Ltd. and their team for undertaking the monumental task of digitalization of the journal. *Nartanam* shall now be preserved for posterity and can easily be accessed by all.
There can be no better way to launch this e-book than having Janaki Patrik on the cover with her brilliant account of “Making of an American Kathak Dancer” in its pages. The saga of an American negotiating the multiple and complex challenges like those
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